articles - 2004 on
* Indicates Stafford's most significant articles.
"Lying Side by Side: Fitting Colour to Eros," in Journal of the International Colour Association {December 2012}, I, 27-35. http://www.aic-color.org/journal.
"Transparency or the New Invisibility: The Business of Making Connections, in Imagining Organizations. Performative Imagery in Business and Beyond, ed. by Paolo Quattrone, Francois -Regis Puyou, and Nigel Thrift {New York and London: Routledge, 2011],pp. 16-27.
"Reconceiving the Warburg Institute as Working Museum of Mind," Common Knowledge, Special Issue on the Warburg Library
{July 2011]
"'Totally Visual?' OP Art's Neural Iconography and the Engineered Picture," in American Collections Catalogue: Intersections (Columbus Museum of Art, 2010).
"The New Invisibility: The Business of Making Connections," in Imagining Business, ed. by Paolo Quattrone (Routledge, forthcoming)
"Still Deeper: The Non-Conscious Sublime or the Art and Science of Submergence," in The Art and Science of the Sublime, ed. by Roald Hoffmann and Ian Boyd White (New York and London: Oxford University Press, 2010.
"'Self-Love Widens into All that Lives': Mirror Neurons and the Performance of Reciprocity," in Poetics Today, Special Issue on Exchange Values: Poetics and Cognitive Science (Winter 2010)
"Obsessed with Noticing: Op Art as Something You Adjust to, Not Know," Essay on Edna Andrade's Turbo, "Intersections" Section in the American Collections Catalogue/ Columbia Museum of Art ( Columbus: Ohio State University Press, forthcoming 2010)
Review of "Neuroaesthetics, Neuroscientific Theory and Illustration from the Arts," in Interdisciplinary Science Reviews [forthcoming 2009].
Essay in Sublime Art and Science, ed. by Roald Hoffmann and Ian Boyd White [Editions Unseld/ Suhrkamp Verlag, 2009].
"Compressed Forms: The Symbolic Compound as Emblem of Neural Synchrony," in Emblematica, 16 (2008), pp. 1-25.
"Another Kind of Global Thinking: Commentary on The Art Seminar," in Is Art History Global? ed. by James Elkins (New York: London: Routledge, 2007), pp. 184-188.
"From Genetic Perspective to Biohistory. The Ambiguities of Looking Down, Across, and Beyond", in Biotechnology, Art, and Culture, ed. by Eduardo Kac (Cambridge, Mass. and London: MIT Press, 2007), pp. 373-386.
*"Self-Eugenics: The Creeping Illusionizing of Identity from Neurobiology to Newgenics," in Eugenics Special Issue, New Formations, 50 (May 2007).
Review Essay, "Lasting Impressions," A Review of Douglas Hofstadter's I am a Strange Loop, for Perspectives in Biology and Medicine (forthcoming).
Interview/ Discussion of Hyperrealism (with Horst Bredekamp), in TATE ETC (January 2006) http://www.tate.org.uk/tateetc/issue6/hyperrealism.htm
.Essay-review "Working Minds," Perspectives in Biology and Medicine 48(8), 2006. http://muse.jhu.edu/journals/perspectives_in_biology_and_medicine/v049/49.1stafford.html
"From Afore-to-After-Thought. Mirror Neurons and Guessing about Looks," Public, special issue on Errata: The Cultural Productivity of Errors, Accidents, and Unforeseen Events (forthcoming June 2006)
* "Compressed Forms: The Symbol as Emblem of Neural Synchrony," lead essay in Emblematica (Summer 2008).
* "Picturing Uncertainty: From Representation to Mental Representation," in Refresh!Histrories of Media, Art, Science, and Technology, ed. by Oliver Grau (Cambridge, Mass., and London: MIT Press, 2006).
Excerpts from Voyage into Substance: Art, Science, Nature and the Illustrated Travel Account, 1760-1840, reprinted in Universal Experience: Art, Life and the Tourist's Eye exhibition catalogue, ed., Francesco Bonami. Museum of Contemporary Art, Chicago, January 2005.
"Hedonics: Pleasure, Pain, and the Neurobiology of Feeling," in n.paradoxa: international feminist art journal, vol. 15, Scientific Ethics/Aesthetics (January 2005). http://www.ktpress.co.uk/nparadoxa-volume-details.asp?volumeid=15
"The Ineffable Allure of Hamantashen," The Great Debate: Latke or Hamentash? ed. by Ruth Cernea, 2005: The University of Chicago Press.
* "Romatic Systematics and the Genealogy of Thought. The Formal Roots of a Cognitive History of Images," in Configurations, (Fall, 2005). http://muse.jhu.edu/journals/configurations/v012/12.3stafford.html
"Artificial Intensity: The Optical Technologies of Personal Reality Enhancement," in Center or Margin: Revisions of the English Renaissance ed by. Lena Cowen Orlin. Selinsgrove, PA: Susquehanna University Press (in cooperation with Associated University Presses), 2005.
"The Englightenment 'Catholization' of Projective Technology, Theurgy and the Media Origins of Art," in Histoire de l'histoire de l'art au XIXe siecle, eds. Roland Recht and Philippe Senechal. Paris: College de France, 2005.
"Die 'Katholisiering' der Projektionstechnologie im Zeitalter der Aufklärung. Theurgie und die medialen Ursprünge der Kunst," in Kunstkammer, Laboratorium, Buehne. Schauplaetze des Wissens im 17. Jahrhundert, ed. by Helmar Schramm, Ludger Schwarte, Jan Lazardzig (Berlin: Walter de Gruyter, 2005).
"Hedonics" and "Neurodynamics" in Abecedarius of the Sensorium, Exhibition Catalogue, Caroline A. Jones, ed. Cambridge, MA: MIT University Press 2005.
"Mens-Incognita: Landfalls on an Invisible Interior," in ATOPIA Net Magazine (http://www.atopia.tk,), Island No. 8: "Terra Incognita" (October 2005).
"Pain Under Pane," reprinted in The Alternative to What? Thread Waxing Space and the 90s, ed. by Lia Gangitano and Esme Watanabe. MAT Foundation, Forthcoming.
* "The Remaining 10%: The Role of Sensory Knowledge in the Age of the Self-Organizing Brain," in Visual Literacy, ed. by James Elkins (New York: Routledge, 2005).
"Levelling the New Old Transcendence: Cognitive Coherence in the Era of Beyondness," New Literary History, 35, Special Issue on Coherence (Spring, 2004) pp. 321-338.
Cameo appearance in "Inhaling the Spore: A Journey through The Museum of Jurassic Technology", a film by Leonard Feinstein, 2004
"Gestalten des Abgleichs," in Aesthetik- Hermeneutic-Neurowissenschaft, Heidelberger Gadamer-Symposium des Istituto Italiano per gli Studi Filosofici, eds. Olaf Breidbach and Giuseppe Orsi (Munster: Lit Verlag, 2004), pp. 89-114.
"Neuronale Ästhetik-Auf dem Weg zu einer-Kognitiven Bildgeschichte." Iconic Turn: Das neue Bild der Welt. Eds. Christa Maar and Hubert Burda. Cologne: DuMont Verlag, 2004. 103-125.